Folklore.org – Inspiration for data collection activities

It’s just about one project right now (the history of the Macintosh computer), but folklore.org has a really interesting take on collective historical storytelling. Their idea and platform might be good inspiration for things to do on the backend of data collection. Individuals tell stories, there is a little bit of classification and media. Comments and ratings help direct readers and it is searchable in a few different ways.

Rupee Collector – the app

Hahahahahahahahahahaha!

Look at this:

rupee collector - the app

That’s right, I turned my ARIS game, Rupee Collector, into an app on my home screen. If you want it too, or if you want to make your ARIS game into an app on your home screen, I’ll share.

This builds on my previous post about creating url’s for your ARIS game. In this case, mine is

aris://games/3847.

But, as far as I can tell, it’s not as easy as entering this url into mobile Safari and adding to the homescreen as a web clip. That only works for http urls. Safari has to load the page before you have the option of adding it to your homescreen. There used to be other ways of adding app urls in this fashion. There was even a slick little app people used for the purpose of creating and theming these additions. Most used it for creating direct links to certain settings like WIFI. Apparently, this hasn’t been working for a while – but I don’t know from personal experience.

Anyway, you can use Apple Configurator to create a custom profile, and these custom profiles can include web clips. If you create one with a url that begins with aris:// it will tell you there’s an error, but it will still work.

To get Rupee Collector on your iOS device

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QR codes for rapid prototyping

wooden-qr-code

I’ve always felt uneasy about QR codes. They don’t feel like the actual future, but a clunky, ugly, non-human future. They look like the written language Space Invaders would come up with once appropriately evolved. The only thing I had ever used them for was an abortive attempt at a Lazer Tag type game.

chris tests aris tag

Some day soon, we won’t need them anymore. The same optical recognition systems that allow their easy detection will soon be leveled-up to the point that QR codes will not be needed. Direct image recognition will become a practical reality.

But this week I found a real and fun use for QR codes, as an aid to rapid prototyping of game ideas. For the ELI 2013 Conference, I prototyped several games connected to a series of 31 paintings in the hotel’s lobby. To make these games work – to endow them with mechanics that felt gamey or provided some amplification of input or the magic of automation – QR codes fit the bill.

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ARIS Pro-tip: Preventer plaque

I’ll explain the preventer plaque in a basic scenario since it might sound more abstract than it really is otherwise. It’s a super simple and useful tool.

Let’s say I have a game and want that game to contain instructions that the player can refer to as needed. A quest is a good way to do this. Since I want these instructions to be always available, I don’t want the player to be able to complete that quest. The question is, how to write a requirement to prevent that quest from being completed?

Enter the preventer plaque.

Create a plaque. Call it preventer plaque. In the quest’s to complete requirement table, make a new requirement:

Player has not seen preventer plaque.

That’s it.

The preventer plaque idea has lots of other uses too.

  • Turning off unfinished content for the time being,
  • Making quests never show up so that you can use them behind the scenes to group requirements, and
  • essentially anytime you need a requirement to make something impossible.

Game designs @ ELI 2013

600px-title

For a short talk about the development of place-based games at UNM, I wanted a hands-on component that featured actual gameplay. There are several short activities we do with ARIS workshop participants that might have been shrunk to fit the allotted space and time. But since the session was more about the idea that our program could be conceived without much expertise or money, I wanted to showcase something that felt a bit more attuned to the local conditions and that felt doable in a short amount of time.

What better way than to make a game specifically for the hotel lobby, and make it entirely during the conference leading up to my talk!

I noticed that the art in this hotel was actually kind of interesting, not just a placeholder of blandness. Perfect. These paintings are here but they’re usually background to the point of being ignored. So let’s make them the center for a few minutes. A microcosm of the main goal of place-based AR games: make the invisible tangible by drawing attention to an overlooked aspect of our shared space.

In the conference lobby I found 31 paintings to work with. Some were obvious, and others were tucked away. The lobby is large and tortuous. The variations and similarities between the paintings were interesting and generative. Coming up with a game in such a short time was no problem. Coming up with one game was the real problem. I ended up fleshing out 6 somewhat different ideas, but was only able to finish 1 in ARIS. I had really wanted to do two so that participants could get an idea of variety: of what is possible with ARIS, what is possible with 31 pictures, and the variety of psychological experiences a group can have while playing a game. We only had time for the one, but I at least sent them off with another to play on their own.

OLYMPUS DIGITAL CAMERAJohn Martin was there to help brainstorm, which was a lot of fun. Early on, he was reminded of a classic board game he used to play: Masterpiece. In that game, each piece of art is either a masterpiece or a forgery. Players bid to buy without knowing the truth. This gave us a fun and promising beginning. Although none of the games ended up being that much like Masterpiece, the idea got the juices flowing. So each of the variations below retains the name as a reminder, not a description.

Most of the ideas revolved around the use of QR codes. Even though they are ugly, they can retain the magic of automation, and we sure as heck weren’t going to use GPS inside and underground. They are also really easy to produce. With the free generator and the complimentary printers provided by ELI (and a pair of scissors too) we had our tracking sensors. In terms of quick and dirty prototyping, that’s hard to beat.

Game Ideas

Masterpiece #1 – Mix-n-Match

Painting-with-QR-codeEach painting has a QR code. The QR code shows you the image of another painting in the hall. The goal is to go find that painting and scan its QR code, a sort of scavenger hunt. The QR codes are arranged to create several short paths instead of one long one. This would help alleviate physical congestion, and could maybe used as a form of jigsaw. QR codes set on the chairs start people on the path. Kind of like an Oprah reveal.

Masterpiece #2 – Sets

This was the most intricate idea. Too complex to really pull off in the time allotted, but just barely. With a week, I think this would make a nice little game. Notice, I worked out a lot of details of implementation. I didn’t give up on making this one until the end.

There are multiple pieces by the same artist, and a couple of other obvious categorizations within the 31 pictures.
Goal: Find all the sets. There are 8 sets, and 17 of the 31 paintings are in a set. One artist has two sets, and so makes a super set.
Sets are good. Unmatched paintings are bad. Like Gin or other card games. When you gather them though, you don’t know what sets are out there, so it’s a gamble. One that encourages you to explore more and maybe try out different strategies.

Mechanics: Start out at 100 points. Each painting is -5 points. Sets are worth 15-50 so that you recouperate your losses and then some. The more points, the better.
(Starting at 100 and going up and down was chosen because ARIS doesn’t have a way to make use of negative numbers of items – in this case the numbers just worked out so well right off the bat that it felt a little scary)

We can even copy one of the fun strategies from Hearts: Shoot the moon – get the most paintings without getting a single set. 20 is the most possible. 0 points total.

set

Details of Implementation in ARIS
These might not make much sense unless you know ARIS. It’s sort of a dumb shorthand, but might be helpful to someone who actually wants to build something like this and wouldn’t know how.

intro plaque gives 100 points, -1 radius,
req never seen self

Paintings
plaques give out items (see my pro-tip), take 5 points,
req. never seen and >0 points
(items, maybe use item tags? – what are they for?)

Badges
collector badge – item – given by plaque
collector badge plaque, gives collector badge,
req not seen and 95 points

badge badge – item – given for getting badges (a little joke about badges and badging)
badge badge plaque, gives badge badge,
req not seen and seen collector badge plaque

Set badges (plaque -> item and points)
Foley – req paintings 9-13; 30 points (this one is icing on the cake. You get it if you have both Blue Aspens and Canyon Walls)
Blue Aspens – req 9,11,12; 30 points (this and those below are double the points you lose by acquiring the paintings. Seemed like a good place to start the balancing)
Canyon Lands – 20,22,25,26; 40 points
Canyon Walls – req 10,13; 20 points
Happy Clouds and Trees – req 19,21; 20 points
Photography – 16,18; 20 points
Snowy Mountains – 4,5; 20 points
Summer Country – 14,15; 20 points
N.B. – If you add it all up, there are 200 points for the sets, meaning you can just get back to 100 if you get them all. Perfect.

Other Badges for Feedback
Shoot the moon badge (plaque -> item) req 0 points and no sets
Perfect badge (plaque -> item) req all sets and 100 points
All sets badge (plaque -> item) req all sets
GAME OVER req OR(sets) and 0 points. i.e. if you got down to 0 points but didn’t shoot the moon (have ≥ 1 set) the game would let you know that there was nothing left to do.

Again, I really liked this one. It gives the player something to figure out and something to do. Someday…

Masterpiece #3 – Gotta Catch ‘em All

pikachuThere are 31 paintings. Each has a QR code. Use the decoder to catch them all!
Each costs $10. You get $100.

The idea here is that you can only get 10 off the bat (constraint), so maybe a group gets curious and trades, or at least can compare their collections. Scarcity is implemented at the level of constraining player choice, not limiting the resources in the game world. This would have been easy to get into ARIS, but not different enough from the one used (#5) to merit inclusion. That said, I think I would try this one instead next time.

Maybe we could combine this with a crowd sourced or random weighting of the pictures’ value. Then each player’s collection could take on another meaning after the fact.

Masterpiece #4 – Art Contest @ ELI 2013

Find your two favorite paintings. Each is in a note. You use the notebook to vote for (like) your favorite.

This is very similar to how the notebook is used in Visitas de la Colonia, just simpler. It deserves a little explaination because it is a little unorthodox, an example of how ARIS gets really fun when you start learning to bend the metaphors and use things in ways they were not necessarily designed for.

Idea for Hybrid Notebook Use
Create a game that allows players to add notes.
Open the game as a player and create notes for each of the paintings. Upload an image, title the note, and share it to the map (I’ll explain this in a minute).
Open the game back up in the editor.
Disallow the creation of new notes – your players are going to comment on the existing notes, not make their own. Do make sure that players are able to comment and like.
There are now locations for all the notes you created as a player. Open these: set them to have error 0m. This means they will NOT be accessible via the map. Players are going to access them via QR codes. Each painting is a polling place, accessed via its QR code.

Play
Players “like” their favorite picture and use the comment to suggest a title for their favorite. Back as a group, we look at what people liked and choose the best titles.

About
This game is not about winning, but is supposed to be suggestive of the idea that data collection activities, when done in this coordinated, multiplayer fashion can lead to interesting reflections and maybe making important decisions. It makes a nice follow-up contrast to #5 or those similar to it.

This one was planned for the session. Unfortunately a bug in the notebook and a lack of time meant that I couldn’t finish making it. Oh well, next time.

Masterpiece #5 – Art Thief @ ELI 2013

art thief title screen

One virtual painting per real painting. Go get em.
Items with QR codes. 3 per location (this was a nerf to make it easier to actually get paintings (item quantity =4, after testing once, there are 3 left for players)

ARIS Implementation Details
Create 1 item for each painting. Upload art. Make a quest for instructions, and badges for feedback.

Quest
basic instructions for participation: scan codes. Hardly necessary, but useful since I was sending them fairly far from help.
req for show – none
req for complete – player has seen plaque they will never see. This is another pro-tip. A trick I often use to make sure a certain event never happens. I don’t want this quest to complete because it’s not really a quest. It’s instructions.

Badges
art thief badge
req one art – feedback after the first successful collection
I was reminded of Zoidberg’s attempt to act like a rich person after getting a $300 tax rebate from President Nixon in Futurama. So that inspired the art.

art thief badge screen

badge badge
given for getting badges (a little joke about badges and badging)
badge badge plaque, gives badge badge,
req not seen and has art thief badge

Masterpiece #6 – Synchronicity

Look at your camera roll. Look at the paintings. Find a painting that connects to a picture you already have. Scan the QR code for the painting and upload your picture as a comment to the note.
Implementation – this is the same as #4. Author created notes in the notebook that players comment on, just a different intent.

ARIS Pro-tip: Don’t drag items to the map

Beginners understandably drag their items onto the map to create locations where players can get them. But this isn’t how pros do it (okay maybe just me).

Instead of item —–> map, make a plaque too. Then plaque —-> map, and edit the plaque to give out the item to the player.

Why?

  1. Confusion. Easily one of the top 5 confusions for new authors is what happens when you play test a game with items on the map is that you end up picking up all the items. Then you’re like “Where’d my locations go? I remember putting the items there on the map, and they used to be there. This ARIS stuff makes no sense!” – Very frustrating.
  2. Player interaction is simpler. Instead of a pickup screen and then another screen where the player chooses how much to pick up (and currently a third screen the player needs to exit to get back to the map), a plaque is just “tap to continue” and you’re done. And the author gets to choose how many of an item the player gets.
  3. Flexibility. Often I will later decide I need to give out many things at one place, or set up some give and take (like purchasing an item with money). If you have a plaque, it’s a simple matter of adding a new entry to the exchange table. With items on the map you have to muck about with a bunch of stuff on the map, and worrying about stacking the order. It just doesn’t work well.

Caveats

Even though this is the way to do it in >95% of cases, there are specific circumstances where this is not the case and you should put items directly on the map. They include:

  • If you need to manage scarcity/quantity of those items for all players in a static way for a multiplayer game. Think a single key that everyone is racing to get first. With an item on the map, there can be exactly one key that’s gone when it’s gone.
  • If you are interested in something with multiple items at the same location or a complicated interaction with getting and losing items, you might consider a character instead of plaques.